Issue 3(65) /2024
DOI: 10.31249/litzhur/2024.65.00
- THE ORIGINALITY OF GOTHIC MOTIFS IN FRENCH “FRENETIC” NOVELS
PAKHSARIAN N.T. - THE INFLUENCE OF GOTHIC DRAMA ON THE “BLACK NOVEL”: C.R. MATURIN’S TRAGEDY “BERTRAM OR THE CASTLE OF ST. ALDOBRAND” (1816)
DEMENT'EVA A.V. - GOTHIC HORROR AS A COMPONENT OF HEINRICH VON KLEIST’S ROMANTIC IRONY
FINOGENOV V.A. - TRANSFORMATION OF THE GOTHIC TRADITION AND THE GENRE DIMENSION OF NOVELLISM: J. POTOCKY (“MANUSCRIPT FOUND IN ZARAGOZA”), A.S. PUSHKIN, N.V. GOGOL (“VII”) (Article 1)
Shulz S.A. - BREAKING A VOW: GOTHIC PLOT IN PORTUGUESE LITERATURE OF THE 1 st HALF OF THE 19 th CENTURY
OGNEVA E.V. - ENGLISH REACTIONS TO GOTHIC FICTION FROM S.T. COLERIDGE TO CHARLES DICKENS: PARODIES OR … ?
POPOVA I. Yu. - GOTHIC NOVEL AS A KÜNSTLERROMAN: VIKTOR RYDBERG’S SINGOALLA (1857)
Ibragimova K.R. - AESTHETICS OF THE GOTHIC IN FRENCH NEOROMANTIC PROSE
Khachatryan N.M. - “GOTHIC” PLOT OUTLINES IN H.P. LOVECRAFT’S NOTES
Maksimov B.A. - MODERNIST “NEO-GOTHIC”: DAPHNE DU MAURIER AND HER APOCALYPTIC “ECOLOGICAL” THRILLER THE BIRDS
KRASAVCHENKO T.N.